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Makeup Culture Gallery "The Aesthetics of the Beginning: The First Makeup of the 3rd Period"

In the first year of the opening of the Makeup Culture Gallery, we are introducing makeup culture from three themes with the keyword "beginning". Following the first term "The Beginning of Makeup Culture Research" and the second term "The Beginning of Makeup," the third term will focus on the theme of "first makeup." In traditional society, there was a "first makeup" when there was a major change in life stage, such as adulthood, marriage, and childbirth. Among other rites of passage, Art focuses on the shaven eyebrows and beard, the makeup that symbolizes married women. As it is said that "eyebrows are the frame of the face", it is an important part that greatly affects the impression of the face. There must have been some anxiety and hesitation about shaving off your eyebrows. In addition, some women may have felt lonely at the fact that they could not tie their daughter's hairstyle, even though they were expecting to get married. While focusing on makeup as a rite of passage, we will read about the social meaning of makeup and the wavering feelings about the "first makeup" that will come to life. In "Books", we will introduce books under six themes, expanding associations from "turning points". Looking back, that was the turning point. There are times in life when dramatic changes are required. Anxiety, resistance, longing, and the elation that comes with stepping up... Why don't you think about it at a turning point?

Suntory Museum of Art "120 Years After His Death: Émile Gallet: Longing for Paris"

Émile Galle (1846–1904) took over his father's wholesale business of high-end glass and ceramics in Nancy, the ancient capital of Lorraine in northeastern France, and developed a unique world view of glass, ceramics and furniture, with brilliant success. While he is known as a celebrity of Nancy, it was the capital of Paris, a capital of artistic talent and a rich clientele, that made the Galle brand known to the world and led him to international success. Since his father's generation, his production has been centered in his hometown of Nancy, but Galle's products have been exhibited in showrooms in Paris and sold to wealthy people through contract agents. In 1878, 1889, and 1900, he presented his new works at the Paris Exposition, which was a major international stage, and especially after the 1889 World's Fair, he deepened his ties with the social world. However, the social dilemmas and pressures brought about by his success were unimaginable, and Galle died of leukemia just four years after the 1900 World's Fair. Commemorating the 120th anniversary of Galle's death, this exhibition focuses on his relationship with Paris, where he established himself, and reflects on the development of his creativity. In addition to exhibiting a large number of excellent works that are clearly inherited from the Musée des Arts Décoratifs in Paris, France, including works exhibited at the World Expo, the exhibition will also exhibit for the first time the heirloom materials of the Degpers family, which ran a gallé agency in Paris that have recently been acquired by the Suntory Museum of Art. Through a total of 110 works that eloquently illustrate the relationship between Galle and Paris, including glass, ceramics, furniture, and Gallet's autographs, you can enjoy the rich artistic world of Galle from his youth to his last years. * In order to protect the work, the exhibition will be changed during the exhibition period.

Suntory Museum of Art "Sake Drinker Begins"

Sake Douko is the most famous demon in Japan. During the Heian period, the story of a drunkard who was plundering the daughters of nobles and treasures in the capital one after another by the warlord Minamoto Yorimitsu and his servants was established before the 14th century, and eventually became widely popularized as the subject of paintings and Noh. Among them, the Important Cultural Property of the Suntory Museum of Art, "Sake Dendoko Picture Scroll" (hereinafter referred to as "Suntory Book"), written by Hajime Kano, is famous as an ancient example of the Muromachi period, which had a great influence on later generations. In this exhibition, Suntory books that have been dismantled and repaired will be unveiled, and two "beginnings" related to sake drinkers will be introduced. Speaking of the abode of the Sake Drinker, it is depicted in the story as Mt. Oeyama in Tamba Province or Mt. Ibuki in Omi Province, and the Suntory Book is known as the oldest picture scroll in the Ibuki Mountains. Since then, this Suntory book has become the "beginning of the pattern", and hundreds of copies and similar books were made throughout the Edo period. Furthermore, in recent years, it has attracted attention that a series of picture scrolls have been discovered that contain almost the same content as Suntory's books, but boldly depict the upbringing of the Sake Drinker, that is, the "Beginning of the Demon." This exhibition focuses on these "beginnings" and traces the unknown history and diverse development of the Sake Drinking Douko Picture Scroll, while also touching on the relationship between painting and theater (Noh). Please enjoy the story of demon slaying that is still alive in modern manga and anime, and that Japan people have been familiar with since ancient times. *Sake Douko is also written as Sake Den, Sake Song, Sake Scripture, and Sake Ten. In this exhibition, the title of the work basically respects the notation of the title, and uses the word "sake cup" as a generic name for stories and demons. * In order to protect the work, the exhibition will be changed during the exhibition period. *Photography is prohibited in this exhibition.