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Notice of start of accepting applications for "The 22nd Minato City Tourism Photo Contest 2024"

The Minato City Tourism Photo Contest is held every year with the aim of rediscovering the charm of Minato City through photography, from famous places and old sites in Minato City to seasonal traditions and hidden spots. From October 12, 2024, we will start accepting entries for the "22nd Minato City Tourism Photo Contest 2024" in two categories, the general category and the Koshien division (*for junior high and high school students). Winners will receive gorgeous prizes. We are looking forward to receiving many applications! 【Application Period】 Saturday, October 12, 2024 ~ Sunday, January 5, 2025 [Click here for details on application guidelines and application methods] ◎ General Category https://visit-minato.mitte-x.istsw.jp/index.html?cn=65 ◎ Koshien Division (*For junior high and high school students) https://visit-minato.mitte-x.istsw.jp/index.html?cn=99 [New] ◎ Special Area Prize "Shimashobe". Continuing from last year, photos taken in the Izu Islands and Ogasawara Islands will also be awarded! ◎ Theme Award "Bridge". Please submit photos of various "bridges" scattered around Minato City! 【Application Rules】*Excerpt ・The copyright of the submitted work belongs to the photographer. ・The subject of the submitted work (people, buildings, products, etc.) must be submitted after obtaining permission from the right holder at the responsibility of the applicant so that there is no infringement of rights such as portrait rights, copyrights, trademark rights, etc. If the subject is a minor, please obtain the consent of a parent or guardian. ・The award-winning works will be posted on the website and exhibited at facilities in Minato City. In that case, we will announce it under the real name you received at the time of application. [Click here for past prize-winning works] https://visit-minato-city.tokyo/ja-jp/photocontest 【Inquiry】 Minato City Tourism Association Secretariat (Email:infominato1959@gmail.com)

Minato Science Museum "1 Million Users Achievement Commemorative Event Minato Science Museum Mystery Solving Adventure ☆"

On Tuesday, October 1, about four and a half years after its opening in June 2020, the Minato Science Museum reached 1 million users. To express our gratitude to all the customers who have used the service so far, we will hold an event to commemorate the achievement of 1 million people, "Minato Science Museum Mystery Solving Adventure☆". Date & Time: December 1, 2024 (Sun) ~ January 13, 2025 (Mon) Venue: Minato Science Museum Permanent Exhibition Corner, Meteorological Science Museum Eligibility: Anyone (children in the third grade of elementary school or younger must participate with a guardian) Participation fee: Free How to proceed with "Minato Science Museum Mystery Solving Adventure☆" (1) Visit the Minato Science Museum!    You will receive a puzzle solving set (clear file, invitation, riddle sheet, pencil). (2) Let's go on an adventure at the Minato Science Museum's permanent exhibition corner, the Meteorological Science Museum!   Solve 6 riddles and find the keyword! (3) Let's apply for the backyard tour "Marutto Toranomon 3, 6, 9"! Those who reach the correct answer will receive an application guideline and a success sticker for the backyard tour "Marutto Toranomon 3, 6, and 9". * Those who answer incorrectly will also receive a participation prize sticker. [About the backyard tour "Marutto Toranomon 3, 6, 9"] We will invite 60 applicants by lottery to participate in the backyard tour "Marutto Toranomon 3, 6, and 9". We will guide you to the Minato Science Museum and the backyard of the Japan Meteorological Agency, which you can not usually see. The popular character of the Japan Meteorological Agency, Harun, will also appear! Date: Tuesday, February 18, Wednesday, February 19, Thursday, February 20, 2025     17:30~19:00 Number of winners: 20 each day, 60 in total Organizer: Minato Science Museum Cooperation: Japan Meteorological Agency

Suntory Museum of Art "The Shape of Confucianism: A Book of the Mind -Confucianism in Japan Art-"

Confucianism is an ethical philosophy that refers to the teachings advocated by Confucius (552/551~479 BC) in China in the 6th century BC and the interpretation of his successors. The idea advocated by Confucius is that the goal is to approach a saint by practicing and practicing the moral view based on the five senses (benevolence, righteousness, courtesy, wisdom, and faith), and the ideal image of a human being who rules the world with virtue is ideal. This kind of thinking is said to have been introduced to Japan in the 4th century, earlier than Buddhism, and was enjoyed as a study in ancient imperial courts to learn what a ruler should be. In the Middle Ages, Confucianism was also important in Zen Buddhist temples because the Song Dynasty introduced Zhuzi (a new Confucian philosophy established by Zhu Xi of the Southern Song Dynasty) to Japan, and Zen monks eagerly studied it. From the early modern period onward, the Edo shogunate, which was based on the principle of civil rule, actively encouraged Confucianism and developed the Yushima Cathedral as its base. Throughout the Edo period, Confucianism was adopted and widely spread throughout Japan, from samurai families to people and children, regardless of status. For example, while the large-scale "Imperial Charts" and "Twenty-Four Filial Drawings" were produced to represent the ideal monarch and decorate the spaces of rulers, the same idea is also alive in the ukiyo-e prints and patterns of personal crafts held by ordinary people. These works show the ideals of the mind sought by the people of that time, that is, the ideas that serve as a reference, and bring fresh awareness to us today. We hope that this exhibition will be an opportunity to reflect on the rich messages that reside in masterpieces of Japan art, just like the "Onko Chishin" (Knowing the New through Sieving) in the Analects. * In order to protect the work, the exhibition will be changed during the exhibition period.

Makeup Culture Gallery "The Aesthetics of the Beginning: The First Makeup of the 3rd Period"

In the first year of the opening of the Makeup Culture Gallery, we are introducing makeup culture from three themes with the keyword "beginning". Following the first term "The Beginning of Makeup Culture Research" and the second term "The Beginning of Makeup," the third term will focus on the theme of "first makeup." In traditional society, there was a "first makeup" when there was a major change in life stage, such as adulthood, marriage, and childbirth. Among other rites of passage, Art focuses on the shaven eyebrows and beard, the makeup that symbolizes married women. As it is said that "eyebrows are the frame of the face", it is an important part that greatly affects the impression of the face. There must have been some anxiety and hesitation about shaving off your eyebrows. In addition, some women may have felt lonely at the fact that they could not tie their daughter's hairstyle, even though they were expecting to get married. While focusing on makeup as a rite of passage, we will read about the social meaning of makeup and the wavering feelings about the "first makeup" that will come to life. In "Books", we will introduce books under six themes, expanding associations from "turning points". Looking back, that was the turning point. There are times in life when dramatic changes are required. Anxiety, resistance, longing, and the elation that comes with stepping up... Why don't you think about it at a turning point?

Suntory Museum of Art "120 Years After His Death: Émile Gallet: Longing for Paris"

Émile Galle (1846–1904) took over his father's wholesale business of high-end glass and ceramics in Nancy, the ancient capital of Lorraine in northeastern France, and developed a unique world view of glass, ceramics and furniture, with brilliant success. While he is known as a celebrity of Nancy, it was the capital of Paris, a capital of artistic talent and a rich clientele, that made the Galle brand known to the world and led him to international success. Since his father's generation, his production has been centered in his hometown of Nancy, but Galle's products have been exhibited in showrooms in Paris and sold to wealthy people through contract agents. In 1878, 1889, and 1900, he presented his new works at the Paris Exposition, which was a major international stage, and especially after the 1889 World's Fair, he deepened his ties with the social world. However, the social dilemmas and pressures brought about by his success were unimaginable, and Galle died of leukemia just four years after the 1900 World's Fair. Commemorating the 120th anniversary of Galle's death, this exhibition focuses on his relationship with Paris, where he established himself, and reflects on the development of his creativity. In addition to exhibiting a large number of excellent works that are clearly inherited from the Musée des Arts Décoratifs in Paris, France, including works exhibited at the World Expo, the exhibition will also exhibit for the first time the heirloom materials of the Degpers family, which ran a gallé agency in Paris that have recently been acquired by the Suntory Museum of Art. Through a total of 110 works that eloquently illustrate the relationship between Galle and Paris, including glass, ceramics, furniture, and Gallet's autographs, you can enjoy the rich artistic world of Galle from his youth to his last years. * In order to protect the work, the exhibition will be changed during the exhibition period.